Close Menu
Rate My ArtRate My Art
  • Home
  • Art Investment
  • Art Investors
  • Art Rate
  • Artist
  • Fine Art
  • Invest in Art
What's Hot

How a rockstar made a hotel legacy

June 2, 2025

Gourock artist sets out to get people on their bikes after Inverclyde Bothy closes

June 1, 2025

This New Zealand Artist Sculpts Animals From Layers Of Paint

June 1, 2025
Facebook X (Twitter) Instagram
  • Terms and Conditions
  • Privacy Policy
  • Get In Touch
Facebook X (Twitter) Instagram Pinterest Vimeo
Rate My ArtRate My Art
  • Home
  • Art Investment
  • Art Investors
  • Art Rate
  • Artist
  • Fine Art
  • Invest in Art
Rate My ArtRate My Art
Home»Artist»What happened to artist who was ‘ready to die’ after letting spectators do anything to her for six hours – Community
Artist

What happened to artist who was ‘ready to die’ after letting spectators do anything to her for six hours – Community

By MilyeMay 28, 20254 Mins Read
Share Facebook Twitter Pinterest LinkedIn Tumblr Reddit Telegram Email
Share
Facebook Twitter LinkedIn Pinterest Email


An artist who has a unique way of confronting pain once let spectators do anything they wanted to her body for six hours straight.

Marina Abramović is a well-known figure in the performance art community after her shocking stunt 51 years ago.

The Serbian creative has gone on to perform numerous displays of iconic art and is considered to be one of the most pioneering performance artists of all time.

But what exactly happened to her? Let’s dive in…

The Serbian artist had little boundaries when it came to her work (Dave Benett/Getty Images)

The Serbian artist had little boundaries when it came to her work (Dave Benett/Getty Images)

Who is Marina Abramović?

Abramović was born to Montenegrin parents in Belgrade in 1946, which was then part of Yugoslavia.

As reported by The Guardian, the performer’s parents fought for the communist partisans during WWII and became national heroes.

She said: “The brother of my grandfather was the patriarch of the Orthodox Church and revered as a saint.

“So everything in my childhood is about total sacrifice, whether to religion or to communism. This is what is engraved on me. This is why I have this insane willpower.”

To escape from her strict upbringing, she would paint regularly until one of her father’s artist friends demonstrated a technique which would involve setting fire to a painted canvas. It appeared to leave a profound impression on her as she then enrolled at Belgrade’s Academy of Fine Arts.

Marina Abramović's 'Rhythm 0' in 1974 allowed members of the public to do what they wanted to her body for six hours (YouTube/Marina Abramović Institute)

Marina Abramović’s ‘Rhythm 0’ in 1974 allowed members of the public to do what they wanted to her body for six hours (YouTube/Marina Abramović Institute)

What was Rhythm 0?

Abramović’s 1974 performance of ‘Rhythm 0’ is one of the most shocking displays of art you’ll see.

The performance saw the artist give members of the public free rein over her body for six hours.

Spectators had 72 objects to choose from and use on her in any way they wanted. From flowers, perfume and apples, to razors and knives were available for the public to use.

As the exhibition progressed through the six hours, Marina had been stripped of her clothes and her skin was slashed.

Someone even held a loaded gun to her head, and put the artist’s finger on the trigger.

Abramović became a well-known figure in the performance art community (YouTube/Marina Abramović Institute)

Abramović became a well-known figure in the performance art community (YouTube/Marina Abramović Institute)

What happened to Marina Abramović ?

Since Rhythm 0, Abramović went from strength to strength and developed into, arguably, the greatest performance artist of all-time.

A few years later in 1977, she did ‘Imponderabilia’, which had viewers squeeze between their naked bodies to enter a gallery.

Then in 1997, she performed the ‘Balkan Baroque’, a protest against war, that involved her scrubbing bloody cow bones for days.

She later re-performed Vito Acconci’s ‘Seedbed’ in 2005 at the Guggenheim Museum in New York City, where she masturbated underneath a stage.

At the time, she told New York Art that she had nine orgasms during her recreation of Seedbed.

She said: “Having orgasms publicly, being excited by the visitors steps above me – it’s really not easy, I tell you! I’ve never concentrated so hard in my life.

“The problem for me, with this piece, was the absence of public gaze: only the sound. But I heard that people had a great time; it was like a big party up there! I ended with nine orgasms. It was terrible for the next piece – I was so exhausted!”

The artist is now 78-years-old (YouTube/WeTransfer)

The artist is now 78-years-old (YouTube/WeTransfer)

When is Marina Abramović’s next performance?

Abramović, who is now 78, is set to debut her most ambitious work to date, ‘Balkan Erotic Epic’, at Aviva Studios in Manchester in October.

The production is also scheduled for international tours in Barcelona, Berlin, New York, and Hong Kong.

“Balkan Erotic Epic is the most ambitious work in my career,” she said, according to The Guardian. “This gives me a chance to go back to my Slavic roots and culture, look back to ancient rituals and deal with sexuality in relation to the universe and the unanswered questions of our existence.

“Through this project I would like to show poetry, desperation, pain, hope, suffering and reflect our own mortality.”



Source link

Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
Previous ArticleWant to invest in 2025? Point-by-point guide on how to start
Next Article The Art and Science of Investor Targeting

Related Posts

Artist

How a rockstar made a hotel legacy

June 2, 2025
Artist

Gourock artist sets out to get people on their bikes after Inverclyde Bothy closes

June 1, 2025
Artist

This New Zealand Artist Sculpts Animals From Layers Of Paint

June 1, 2025
Add A Comment
Leave A Reply Cancel Reply

Top Posts

How a rockstar made a hotel legacy

June 2, 2025

Masha Art | Architectural Digest India

August 26, 2024

How can I avoid art investment scams?

August 26, 2024
Monthly Featured
Invest in Art

An Interview With Art Economist Magnus Resch

MilyeOctober 14, 2024
Artist

Shenzhen exhibition shows how artists who have left Hong Kong think of their city today

MilyeOctober 14, 2024
Fine Art

Vietnamese paintings displayed at London International Art Fair

MilyeOctober 22, 2024
Most Popular

Work by renowned Scottish pop artist Michael Forbes to go on display in Inverness

August 28, 2024

Work by Palestinian artist to open NIKA Project Space’s Paris gallery

August 28, 2024

Woordfees: Printmaking exhibition explores human rights in democratic SA

October 12, 2024
Our Picks

Meet the artists | Mohamad Abdouni

October 11, 2024

What is an artist pre-sale and how does it work?

February 7, 2025

Epic yen rally is a lesson in the lost art of FX intervention

December 25, 2024
Weekly Featured

Fine Arts Student of the Week: Senior violinist honored for talent, inclusivity – Brainerd Dispatch

October 14, 2024

Mastering the Art of Rate Execution in the Legal Landscape of 2024 | LawVision

October 11, 2024

John Bratby, Jerwood Gallery, Hastings, review: ‘second-rate’

October 30, 2024
Facebook X (Twitter) Instagram Pinterest Vimeo
  • Get In Touch
  • Privacy Policy
  • Terms and Conditions
© 2025 Rate My Art

Type above and press Enter to search. Press Esc to cancel.