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Korean sculptor and installation artist Do-Ho Suh explores the notion of home with a dazzling double showcase of new work in Asia. His exhibition at Hong Kong‘s Lehmann Maupin gallery showcases his signature gem-coloured fabric sculptures under glass: household items rendered priceless with his crafty touch. At the same time, Suh marks the inauguration of Seoul’s National Museum of Modern and Contemporary Art with his largest artwork to date, a 1:1 scale replica of two houses he has previously lived in, one inside the other.
The simultaneous shows offer two complementary ‘quests’ by the artist to explore the theme of personal space. The translucent organza-like polyester highlights in brilliant colour the ‘invisible memory’ of our daily experiences at home. Suh chose the fabric, a variety once used in traditional Korean summer wear, ‘because it was cheap and readily available, and I didn’t want to give too much value to the fabric itself’.
In Korea, the vast new space lent Suh a stage of unprecedented size for his full-scale replicas: his childhood home, rendered in purple fabric, suspended within a recreation of his first apartment building located in Rhode Island. The life-sized work measures 12m x 15m – large enough for visitors to walk through for a unique perspective on the artist’s personal space.
The galleries also offered a creative opportunity. ‘Huge floor-to-ceiling windows incorporate views of a reconstructed ancient palace that once stood on the same site,’ says Suh. ‘As you approach the gallery space, my translucent piece is between the viewer and the longer view, so it becomes five homes-within-homes: my two homes inside; the museum; the palace; and then Seoul.’
The works were so large and complex that Suh employed a 3D scanning machine to ensure the dimensions were precise. ‘It is the first time I’ve made such a large fabric sculpture,’ says the artist. ‘It was so challenging, but I think technically we have accumulated so much experience and knowledge that now we could make anything. Even something like the White House.’
Although a series of smaller individual pieces such as a toilet, heater and light switch are on show at Lehmann Maupin Hong Kong, Suh says separating the works draws attention to detail. Explains the artist: ‘They are literally specimens, just as the title of the show says.’ The gallery, – both similar in size and shaped to Suh’s own apartment – has been painted completely in black, with each piece arranged as if ‘at home’ and illuminated from behind to enhance its transparency.
The works were so large and complex that Suh employed a 3D scanning machine to ensure the dimensions were precise
(Image credit: Artist Do-Ho Suh)
Says Suh: ‘As you approach the gallery space my translucent piece is between the viewer and the longer view, so it becomes five homes-within-homes: my two inside; the museum; the palace; and then Seoul’
(Image credit: Artist Do-Ho Suh)
The life-sized work measures 12m x 15m; visitors can walk through the installation for a unique perspective on the artist’s personal space
(Image credit: Artist Do-Ho Suh)
Suh left no detail out of his deftly printed fabric
(Image credit: Artist Do-Ho Suh)
The vast space offered Suh a new context for the full-scale replica of his traditional Korean childhood home, suspended within a larger reproduction of his first apartment building in Providence
(Image credit: Artist Do-Ho Suh)
The translucent fabric highlights in brilliant colour the ‘invisible memory’ of our daily experiences at home
(Image credit: Artist Do-Ho Suh)
Suh opted for a translucent organza-like polyester, once used for traditional Korean summer wear, because of its low cost and availability
(Image credit: Artist Do-Ho Suh)
Concurrently, an exhibition of Suh’s work at Lehmann Maupin gallery in Hong Kong showcases his signature fabric sculptures of household items
(Image credit: Artist Do-Ho Suh)
‘Specimen Series: 348 West 22nd Street, APT. New York, NY 10011, USA – Bathtub’, 2013, stands alone, illuminated from below
(Image credit: Artist Do-Ho Suh)
In the dark black exhibition space, ‘Specimen Series: 348 West 22nd Street, APT. New York, NY 10011, USA – Radiator’ (left), 2013 and ‘Specimen Series: 348 West 22nd Street, APT. New York, NY 10011, USA – Refrigerator’ (right), 2013, sit side by side as they would in the artist’s home
(Image credit: Artist Do-Ho Suh)
Along one wall, miniature objects from his ‘Specimen Series’ are showcased and ordered by colour
(Image credit: Artist Do-Ho Suh)
‘Specimen Series: 348 West 22nd Street, APT. New York, NY 10011, USA – Toilet’, 2013
(Image credit: Artist Do-Ho Suh)
‘Specimen Series: 348 West 22nd Street, APT. New York, NY 10011, USA – Stove’, 2013, also features in the Hong Kong show
(Image credit: Artist Do-Ho Suh)
A closer look at ‘Specimen Series: 348 West 22nd Street, APT. New York, NY 10011, USA – Medicine Cabinet’, 2013
(Image credit: Artist Do-Ho Suh)
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